Dwelling in Objects and Jump Cuts: The Deconstruction of Home and Homeland in Bill Douglas' Childhood Trilogy

Digging Up History, Planting Queer Narratives and Bodies, and Letting Them Grow: Derek Jarman and His Creative Garden

Another Form of Alternative Record in an Era of Upheaval: From the Balcony into the Crowd, Over Time

The Continuous Rolling and Digression: Portraits of Time and Landscape Beyond Characters in Being in a Place – A Portrait of Margaret Tait and Honor of the Knights

Indirect Cinema: Living Between Screens—A Review of Selected Competition Films from the 2025 Yamagata International Documentary Film Festival

Another Light at the End of the Dark Tunnel: The Escaping and Embracing of Words in Two Seasons, Two Strangers

Exploring the Cinematic Bodies of Future: Notes on the 2025 Locarno Film Festival and BaseCamp

Into the Cinematic Black to Perceive the Absent: Sound and Image Aesthetics in Marguerite Duras’s The Atlantic Man, Caesarea, and Negative Hands

Bodies in Dreams are Bodies of Cinema: David Lynch's Early Shorts

Unstylized films as a Pathway—Islands in Focus: New Caledonia at the 2025 Cinema at Sea

They Danced, and Then—Asia Pacific Queer Short Films Competition of 2024 Taiwan International Queer FF Selected Films Review

The Paradox of Rupture and Connection in Documentary: XiXi

The Transparency of Documentary—Two Nominated Best Documentary Short Films at the 2024 Gold Horse Awards: Before Then and Colour Ideology Sampling.mov

Dissociating in a Dream: Bi Gan’s Fractured yet Flowing Poetic Cinematic Space-Time

Spaces Outside Geopolitics, Dancing in the Cinematic Black Holes—on Free Palestine Shorts at the 2024 Women Make Waves IFF

She and Her Fell Down, into the Audio-Visual Spatio-Temporal Gap in Millennium Mambo and Daughter of the Nile

Imagining Absence, Carving Huang Tu-shui into the Present: An Interview with Daughter of Nectar directors Lin Chun-ni and Huang Pang-chuan 

Wounded Film as an Extension of the Body in Exile—an Interview with Noor Abed on A Night We Held Between

The Embodiment and Disembodiment of the Medium—an Interview with Razan AlSalah